د "شعر" د بڼو تر مېنځ توپير

Content deleted Content added
و Bot: Replacing John keats.JPG with John keats.jpg. Translate me here!
۲۹ کرښه:
 
Aristotle's work was influential throughout the Middle East during the [[Islamic Golden Age]],<ref>[[Averroes|Ibn Rushd]] wrote a commentary on the Aristotle's ''Poetics'', replacing the original examples with passages from Arabic poets. ''See, for example,'' W. F. Bogges. 'Hermannus Alemannus' Latin Anthology of Arabic Poetry,' ''Journal of the American Oriental Society,'' 1968, Volume 88, 657-70, and Charles Burnett, 'Learned Knowledge of Arabic Poetry, [[Rhymed Prose]], and Didactic Verse from Petrus Alfonsi to Petrarch', in ''Poetry and Philosophy in the Middle Ages: A Festschrift for Peter Dronke''. Brill Academic Publishers, (2001), ISBN 90-04-11964-7.</ref> as well as in Europe during the [[Renaissance]].<ref>''See, for example,'' Paul F Grendler. ''The Universities of the Italian Renaissance''. Baltimore, Maryland: Johns Hopkins University Press, (2004), ISBN 0-8018-8055-6 (for example, page 239) for the prominence of Aristotle and the ''Poetics'' on the Renaissance curriculum.</ref> Later poets and aestheticians often distinguished poetry from, and defined it in opposition to, [[prose]], which was generally understood as writing with a proclivity to logical explication and a linear narrative structure.<ref>Immanuel Kant (J.H. Bernard, Trans.). ''Critique of Judgment'' at 131, for example, argues that the nature of poetry as a self-consciously abstract and beautiful form raises it to the highest level among the verbal arts, with tone or music following it, and only after that the more logical and narrative prose.</ref>
[[Image:John keats.JPGjpg|thumb|left|100px|[[John Keats]].]]
 
This does not imply that poetry is illogical or lacks narration, but rather that poetry is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought process. English [[Romantic poetry|Romantic]] poet [[John Keats]] termed this escape from logic, "[[Negative Capability]]."<ref>Christensen, A., Crisafulli-Jones, L., Galigani, G. and Johnson, A. (Eds). ''The Challenge of Keats''. Amsterdam, The Netherlands: Rodopi, (2000).</ref> This "romantic" approach views [[form]] as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into the [[twentieth century]].
"https://ps.wikipedia.org/wiki/شعر" نه اخيستل شوی